*I recently did a decode on the #13 being THE number of the Matrix, a post that was originally inspired by something I noticed in the movie “12 Monkeys” and it resulted in the following comprehensive decode I wrote on the true meaning of the movie which just about everyone who has ever watched the movie has apparently missed entirely with the exception of “Let’s Go to the Movies” on YouTube and I guess Kristopher too. The “Dead Internet Theory” AND the theory that there are only 10-12 real humans left in earth are both apparently true. Just look at the comments sections of any X post or YouTube video to prove this point. I’ve never felt so alone here in 2025. I was hoping the vaccines would cull the population of so many of the cringiest NPCs, but too many apparently survived.

13 IS THE NUMBER OF THE MATRIX | “12 Monkeys”: NOT a Time Travel Movie, But a BATTLE FOR YOUR MIND…

“What we see and feel is of but a dreamer in a dream” – EDGAR ALLEN POE

(WATCH) LGTTM: 12 Monkeys 2 [ESOTERIC DECODE]: This was the first video to tip me off to the real meaning of the movie.

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Just for fun I asked the G.AI “English Teacher” chatbot to “revise my article for less run on sentences, more cohesion and better grammatical acumen” and the below .PDF are the results. It’s quite a bit shorter and the ridiculous way it interpolated my own very unique and specific candor and writing style and re-aggregated it into what it did, was very bizarre and disappointing. The tone was so mechanical and this “grammatical acumen” I asked for was so corny in its vernacular overreach that it sounded like a writing coach who didn’t know how to appropriately assign levels of importance amongst the main topics and properly appropriate significance to the ancillary supporting details. While my writing style might tend to run on and on and sometimes meander far off point, getting lost in my intent to emphasize and expand on any and all details that I have to offer from my knowledgebase. It’s still my style and one that unmistakably comes from a human being and not from an A.I. chatbot. Something that can’t be said for most of the content you’ll find online these days. So I’m very happy to never again solicit help from A.I. to revise my work. A Thesaurus and the citation of my reference sources are all anyone should need. I strongly discourage the utilization of A.I. for revising or writing in general. See for yourself how badly it mutilated my piece in the name of grammatical and vocabulary acumen. I thought it was interesting enough to share though, just to show how thoroughly it massacred my article and how crappy it came out via the following .PDF document. | DOWNLOAD PDF

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“12 Monkeys”(1995): NOT a Movie About Time Travel, But THE BATTLE FOR YOUR MIND & IMPRISONMENT OF YOUR SOUL

By. Jerry Derecha

So let’s start with the imagery of the human containment pods(that’s what they are) shown at the beginning and the tone that it sets for the theme and feel of the story. These cages that Cole and his fellow prisoners are locked up inside of immediately reminded me of the rows and rows of synthetic biological containment pods from “The Matrix”. I have to question why they decided to build-up and put in place such the extensive prison system infrastructure being that we are dealing with the surviving 1% of humanity living in the midst of an apocalyptic mass casualty event and forced to live beneath the ground? They would only have access to but a very limited pool of available resources and a marginal supply of potential workers available to sequester in order to tackle such a large construction project. You have to wonder what’s really going on here. It seems to me that this expansive casm of jail cells were likely purposefully intended to feel unnecessarily large and imposing and appear out of place by the Director. Symbolic of the same vast containment infrastructure used to confine our souls here on prison planet E.A.R.T.H.(aka: Educational Avatar Reality Training Habitat).

This acronym for the Earth happens to be the name of a B.O.B. album and where I got this from. The album cover shows the planet as the alien ant farm terrarium it is, and interestingly, this same “B.O.B.” character makes an appearance in the movie in the form of the avatar of a toothless old homeless person who is also the same voice that ominously speaks to Cole through the air vents of his prison pod and cryptically drops him hints about the nature of his reality being something other than what it seems on the surface. He also reveals to Cole the dire truth about just how deep this all goes when he runs into him out on the streets while on the run with Reilly, telling him that: “you can’t run from them, don’t even try… they got that tracking device, it’s in the tooth“(the tooth reference reminds me of the movie “Dune” for those who know, and I’m sure there is much more to decode here). Trying to show Cole just how closely monitored his life actually is.

The name “BOB” can be construed a moniker for “the architect” of or the “god”(little “g”)of this world. This homeless man avatar character archetype also appears in the 2nd Matrix film as the “train man” is shown donning a large collection of watches on his wrist and arm, signifying the importance of his governance over time. When he comes face to face with Neo he laughs in his face DMX isn’t at all threatened by the all great Neo(who’s supposed to be “The Chosen One”)and tells him that “[sic]I built this place and I make the rules here” before easily overpowering him and sending him crashing into the concrete wall behind him during their brief meeting and “fight”(can’t really be called one)on the Subway platform. The “train man” is akin to the “god” of this world.

I encourage everyone to go back and watch the original official trailers for the movie from 1995. It tells you everything you need to know for understanding the premise of the movie and it’s all given to you right up front and out in the open, as clear as day. In retrospect, the true meaning of the movie and true intent of the Director isn’t actually even all that cryptic honesty. Especially once you watch the whole movie over again with this new perspective and with the framework provided here in this decode and finally come to understand that all the conflicts and struggles experienced by James Cole(J.C. for Jesus Christ)throughout the course of the movie are all completely engineered and part of a scripted program meant for him to follow. Everything that happens to him and all the actions of the characters involved in his journey are all a part of a simulated experience, a literal computer simulation that his character avatar has been inserted into and that follows a predetermined path and instigates particular interactions and incites certain circumstances, specifically designed for the purpose of soliciting a menagerie of reactions unique to that reality simulation construct.

Cole’s consciousness has been uploaded to a human meat suit and then implanted into these various versions of this simulation using some kind of advanced Quantum portal traversing technology which happens to resemble the CERN particle collider and which the scientists are operating under the guise of a time machine. We already know that you cannot travel through time but it is theoretically possible to travel to a separate version of this world in a parallel reality that falls upon that same point on the timeline. “Time” as a 4th dimension is not traversable from one point and then back to the other point along a 2D plane like you are able to with the other 3 spatial dimensions.

Unbeknownst to Cole, he has become a trial participant in what you could call one of their latest BETA tests of sorts. In the words of the scientists, “we have a new program, something very different“. This particular simulation places the subject in the overtly trying predicament where he lives in an apocalyptic world where the human race had been devastated by a virus and nearly wiped out, forcing the survivors to flee beneath the surface of the planet.

“WE LIVE UNDERGROUND, WE LIVE LIKE WORMS!”

-Cole to Jeffery Goines as he violently confronts him after Jeffery had just admitted that it was Cole’s remark at the mental Asylum during their time together about ‘humanity deserving to be wiped out’ that gave Jeffery the inspiration to release the virus.

On top of the harrowing nature of the world itself, the individual also happens to be a criminal who is locked up in a jail cell and serving out a lengthy prison sentence. In exchange for a pardon and their subsequent freedom, the subject is called upon to assume the role of a brave time traveler who is sent back to the past to a year prior to the breakout of the virus in order to “gather information” so they can “[sic]trace the path of the virus” and so they can find out more about “The Army of the 12 Monkeys” who they are under the impression is the organization who was responsible for initially releasing the virus. This is all ultimately supposed to help them to develop a cure or vaccine. For some reason they have no interest in using Cole and their “Time Machine” to attempt to stop the virus from ever being released. Of course the subject(and viewer of the movie for that matter)initially has no idea as to the simulated nature of this programmed reality construct and simply believes this scenario is the reality of Cole’s life.

We have a new program, something very different.

#2.) 12 Monkeys – 1995 Movie Trailer TV Spot (Bruce Willis, Brad Pitt)

Calling 12 Monkeys a “Time Travel Masterpiece” Misses the Whole Point

I am at a total loss as to why seemingly no one, anywhere on all the “12 Monkeys” Reddit threads and fan boy forums mention the possibility of a paradigm somewhere along these lines that I am proposing. You will instead see thread after thread of mindless simpleton idiots without any ability to expand their modus of thought and actually critically analyze the acutely and intentionally placed trail of clues left by Terry Gilliam about what the movie was truly about, go on and on about how awesome of a “time travel classic” it is and they don’t actually have any idea why this is. These are the type of people who can tell that it had a high quality cinematic aesthetic and can sense that the movie had a much deeper meaning than what they were mentally capable of deducing on their own. Too dumb to actually decompress the plethoral menagerie of seemingly small but immensely important details peppered throughout the movie. Unable to compile the information to articulate an intelligent interpretation of the story, so instead just join the bandwagon of the movies “cult following” and mindlessly chirp back and forth to one and other about how “badass” and “underrated” of a movie it is.

I’m not trying to be condescending towards an entire generation of sci-fi fans but I was more than disappointed and surprised to find that there were pretty much zero insightful or useful decodes about this movie that I was subsequently able to use as an educational resource or reference anywhere in my own decode when I began my research and inquisition into this paradigm. The cultural feedback I encountered was reminiscent of a world where “The Dead Internet Theory” held true and much like social media in today’s day and age, the comments sections of all forum threads were saturated with almost all opinions from bots and soulless hivemind integrated NPCs. What must Terry Gilliam think about all this? Goodness. He must have assumed that someone would have at least partially gotten it soon after the movie came out and never would have imagined it would take 30 fucking years for anyone to even remotely come close to comprehending his art. Who am I kidding, he hasn’t read this. LOL. He gave up on humanity decades ago.

The only “non time travel” takes that I was even able to find on the movie are theories that presume that all the events that transpired were a result of Cole’s psychosis and “mental divergence”, a term they took from a line in the movie that was mentioned by one of the other mental patients in the Asylum who approached Cole. Other than a handful of these “mental divergence” themed takes on the movie, every single other interpretation are that of “a time travel masterpiece” and fail to explain the other 2/3rds of the movie that they must have just completely ignored and set aside if they truly believe that the movie was actually anchored on the irregularities created from Cole traveling through time and his quest to fulfill his mission given to him by the scientists to “save the world”.

Unfortunately it seems that most people really are that lame and so hopelessly plugged into the system that they’ve been relegated to full time NPC status for the duration of their existence here. I mean, even the “mental divergence” theory is wholly uninspiring and lacks depth when attempting to frame it in context with the entirety of all the different themes presented throughout the film. Until I saw the video put out by LGTTM while doing Moonkey related research, there wasn’t a single other take on this movie that I was able to find anywhere on the entire f-ing world wide web that actually inspired any thought-provoking line of reasoning or actually made any damn sense and attempted to process the details of the movie, especially the smallest of ones, to come to an intelligent conclusion about any kind of hidden meaning. Terry Gilliam was very intentional with everything he put in this movie and with every remark made and every line he wrote into the dialogue.

As far as the mental divergence theory goes, the only “divergence” that I can see that actually took place in this story was the dis-assimilation of Cole’s soul when it diverged from it’s divine spiritual essence and was exiled from the original dimensional abode from which it once resided. Kidnapped from it’s indigenous reality and thrown into the cage of a lower dimensional substrate. His consciousness relegated the confines of a primordial human form and coerced into being perpetually reincarnated. Bound by the construct of time and imprisoned inside simulations of reality built upon principles of duality. Designed to procure and yield the energetic nectar that the parasitic overlord Archontic entity feeds off of.

This movie does not really have anything to do with the “conventional” act of time travel or is at all meant for the viewer to interpret the storyline by exploring the commonly known paradoxes associated with “time travel”. People often misconceptualize the theoretics behind the principle itself and fail to realized that the notion of one traveling through time is truly tantamount to the act of traveling to another world and to a completely separate and different dimension, time and place. You cannot move back and forth or to and from the same point in the same dimension you started from. One might perceive they’ve traveled through time and back to the same place you were once at but you are actually instead traveling to another dimension altogether and into a new world in itself. A parallel dimension that only appears and seems to be the same “place” you remember. Your cannot actually trace back to the point from which you once came from and re-experience past events inside of the same world of your past original home dimension. Time is not that kind of dimension nor is it appropriate to even refer to time as a dimension or as the “4th dimension” at all.

The Time Loop Rule🌃🌑⏳️➿️88

We see the “88” time loop encoded in the “FAA” signs outside of the headquarters of the “Army of the 12 Monkeys”, as well as in “James Cole”.

⌛️📰”The Future is History.”🌃⏳️

There is actually one exception and one aspect of “conventional time travel” that is featured in the movie, and this is the notion of and albeit “rule” of the time loop. You see, even the three supposedly linear spatial dimensions that make up 3D space time are actually not actually perfectly straight like you’d assume they would have to be and strangely instead gradually curve ever so slightly as you travel along these planes. When any spatial property(length, width, height) are followed along it’s path out to “infinity”, because of this subtle curving, it will eventually create a circle and land back on the spot you started at, conveying the principle of a “time loop”, symbolized by the Ouroboros motif of the snake eating it’s own tail. This is why many time travel movies will make sure to establish and include their own example of the time loop for in order to symbolize and illustrate this particular inherent characteristic of any reality or parallel reality created by time travel activities. The “traditional” act of traversing time in the way one naturally conceptualizes the act is impossible. Though it is technically possible however to travel to another world that exists in an entirely separate and parallel dimension that falls upon a point on the “timeline” that lines up with the point you were trying to travel to. But it’s important for the traveler to understand that this parallel alternative reality that they’ve stepped into might seem like it’s the right place but in reality it’s not at all that same place on the original timeline that you came from and where in your mind you were trying to travel back to. It’s a different place entirely. The time and place you came from no longer exists in order to be able to travel back to and reach no matter how badly you want to go back. Time is a false construct to begin with so you could never travel around, within, or back and forth along the pseudo dimensional substrate of “time”.

So with the concept of “traveling through time” being tantamount to traversing to(and theoretically creating in the process)other worlds entirely, in mind, we can now attempt to better understand where all of these flashbacks that Cole keeps experiencing are really coming from. What they seem to actually be are leftover residual memories from all the different lives he’s lived within these parallel dimensions. Memories accumulated from each alternate life he’s lived each time he’s been brought back into the Matrix and placed inside a new world and new corresponding simulated reality construct.

The scientists in the movie represent the Archontic hivemind in control of this world. These things run both the specific “program” and simulation that Cole is currently enrolled in as well as the entire Matrix system as a whole.. They are an ancient synthetic parasitic entity that exists in extradimensional space and who function as the owners and operators of the Saturn Moon Matrix, Saturn Time Cube and the simulated worlds within.

This same conglomerate of handlers are depicted in the movie “Dark City” in nearly the exact same capacity and give off nearly the exact same vibe as well.

The Saturn Moon Matrix is a similar piece of Quantum alchemic Alien tech that’s used to reassimilate and onboard souls back into the Saturn Time Cube. Recapturing souls just after having been liberated from their human containment vessels and before they have a chance to escape and run off. They do this by various different methods of beguiling the subject and convincing them to consent to be returned to Earth to be reincarnated and inseminated into a new human body. Sometimes the person is told they need to return for the sake of a family member. Others are told they are destined for greatness and that it has been foretold that you will save the world and humanity needs you to triumphantly return back to them. They will throw all sorts of sloppy bullshit at the wall hoping it sticks. But in most cases the process is much quicker and more direct and the soul is simply lured “towards the light” into the direction of the outstretched hand of the God you worshipped on Earth, all while your essentially being drugged, as your heightened senses are flooded with an intoxicating blast of pure love energy, making you truly believe you are being ushered into heaven by Jesus or Muhammad or Krisha or Jared Leto, depending on the diety you preferred on Earth. The establishment of the 3 major Abrahamic world religions has made this whole process so much easier and more efficient for them and rarely do they need to take the more elaborate steps of berating and bullshiting you in order to convince the soul into being sent back into a new body to be reincarnated back into their Alien Ant Farm. This whole process has actually been well documented from numerous different accounts from people who have had NDEs(Near Death Experiences)and the existence of this parasitic Demiurge system has been well known about for quite some time and is commonly referred to as “the reincarnation soul trap”. The Forever Conscious Research channel on YouTube has done an incredible job researching this paradigm and has tons of guest interviews from people who have had a NDEs that go into some amazing and fascinating details about what they experienced after crossing over.

🪐🕋SATURN TIME CUBE⏳️: Computer that runs the simulations.🕗

🌚🌘🪐SATURN MOON MATRIX🐒: Soul processing center🌃☪️

Some of the most obvious clues are told to Cole by Jeffery Goines during their time together at the mental asylum:

“I can help you get you out“[he’s referring to the matrix].

“You’re here because of the system“[their system: the moon matrix/reincarnation soul trap].

“Mon-key…Mon-key“[Thoth’s Moonkey or 666 key]

“No more Monkey Business“[the energy harvesting protocol that is the Matrix holographic simulation]

The scientists say to Cole:

“Have you become addicted to that dying world(Earth in the past[past lives/terminated Matrix versions]) Cole?

“We have a very advanced program, something very different[different from the usual game of life they simulate for their captured souls]”. They call it a “program”. It’s a computer program.

His Psychiatrist seems concerned about the nature of the clues Cole has in his “clue book”. Concerned that might be on to the true nature of his reality: “

Clues? What kind of clues?”

The Florida “Key” 🗝🔑

Cole is repeatedly given cues and suggestions to visit the Florida Keys via the commercial shown on the lounge TV while at the Asylum and from a “totally random suggestion” from a fellow patient who decides it would be a good time to tell him “I hear the Florida Keys are lovely this time of year.” as he is in the middle of trying to escape. This becomes important later on in the movie when in the airport terminal on his way to board a flight with Railly after “choosing” to specifically go to the Florida Keys with her at the end of the movie and when all the drama at the airport goes down. This ensures that he is in the proper place inside the proper terminal at the airport to run into Dr. Goine’s assistant, prompting Railly to force Cole to try to stop him. Following the simulation’s script to it’s logical intended conclusion.

👇This was a comment I found on Reddit in regards to the theory that it was Jeffery Goines all along and not his fathers’ lab assistant who released the virus and wiped out the human race.👇

I have a mysterious follower on my Telegram chat channel who occasionally chimes in and will drop random awe inspiring insight and this is what he had to say about our current situation:

Cole Begins to Call Cap on the Scientists

It doesn’t take long for Cole to realize that there is something very wrong with and nonsensical about the nature of the reality that he’s being audaciously presented with. An obtuse and surreal version of reality that he’s always force fed by the scientists into accepting as normal and to go along with. He’s been repeatedly coerced by this group of mad scientists into undergoing increasingly bizarre tests and ordered to go on fantastical and dangerous missions traversing back in time where he’s routinely sent to the wrong year and put in dire and precarious positions as a result of their negligence.

This all comes to a head midway through the movie during a moment of clarity for Cole that he experiences right after he’s been teleported back to the apocalyptic future from whence he came. So this time that he’s once again spontaneously zapped back to his “home timeline” without the aid of the time machine somehow(never explained), it’s immediately after he had just confronted Jeffery Goines at the party and came to the horrific realization that it was his words to Jeffery that ultimately inspired him to release the virus that ended up wiping out humanity(the inception of the time loop). Cole opens his eyes to find himself in a hospital bed, greeted by the surreal scene of the scientists all dressed in lab coats, gleefully and creepily singing him a song all in unisen and then enthusiastically congratulating him on the “successful completion of his mission”.

It’s at this point that Cole understandably snaps. The culmination of what has been a perpetual barrage of senseless assignments from the scientists, numerous botched “trips” back in time and in general being subjected to an environment of unrelenting insanity causes Cole to finally lose it. He’s no longer interested in hearing another word from these lying and insane “scientists”, or whatever it is they are. He’s had enough of being someone’s thought experiment and being a part of this ongoing circus show. Fed up with listening to the ridiculous premise that this entire operation is based upon and making sure to let them know what his true feelings are about the very idea of time travel itself being one big load of steaming monkey shit. Cole’s sudden outburst of insolence and apparent self-awakening is met with the dissatisfied reactions of the scientists as they proceed to nervously look at one and other with disdain and promptly order him to be held down and sedated. Cole seemingly “waking up” in this moment and calling bullshit on the whole operation, suddenly questioning the entire basis of the reality being presented to him and realizing just how irrational the premise of the story he was being told was from the very beggining, is, literally, the very last thing and very last kind of behavior the scientists want to see from him.

When the prisoner of a false world begins to question the nature of their reality, this is the worst possible scenario for the controllers. Believing in, caring about and being unconditionally invested in the reality you’re presented with is crucial to the continued viability of the system they’ve designed. These simulations need to be unconditionally accepted as base reality by the subjects placed inside it in order for it to be at all useful in its purpose as an energy harvesting protocol. You must care about your life, it’s storyline and the fake subjects within it that surround you and who become a part of your life. All in order for your consciousness to continue to pump out and produce the array of emotions they need to extract from you. They need you to be a productive member of whatever society they’ve inserted you into and active player of whatever game they’ve devised for you. In our standard reality here on Earth in 2025, they want you to be a consumer, family man, dedicated employee, follower of the law, steadfast believer in your religion of choice… a player in that particular game. Unwavering in your dedication to playing a traditional and predictable part in the game of life. Unfortunately for the scientists, this particular game they’ve been hoping and expecting Cole to continue playing has proved to be a bit problematic by this point in the experiment and not exactly producing the results they had hoped for.

“Games, games, more games. Here’s some games. Games you wanna get out[out of]”- JEFFERY GOINES

Simulation theory is materialism.(WATCH)

In the particular version of the “game of life” that they have programmed for Cole, by their own admission, happens to be a very unique and uncommon one, “we have an advanced new program, something very different“. The unprecedented nature of this bizarre reality that his human Monkey brain continues to be forced to endure the insanity of, becomes increasingly difficult for it to accept. This leads to increasingly volatile behavior, causing Cole to start to lash out and begin to question everything about the true nature of the reality of his situation. At certain points Cole becomes so fed up, to the point where he completely withdraws and it then becomes an increasingly problematic struggle for the controllers to keep up the charade and to get Cole to continue going along with their “program”. This was always a facet of the movie’s storyline I wondered about. Why did they choose to have Cole carry out such a volatile and issue-prone scripted program like this so many times over and over again? Were they trying to cultivate certain rare and specific flavors of energy that the experiences of a traditional life could never produce for them? Were they hoping for a certain particular outcome from one of these simulations that they could never achieve no matter how many times they tried? They do say to him in the very beginning of the movie that “we have a very advanced program, something very different[different from the usual game of life they simulate for their captured souls?]”.

The scientists refer to it as a “program” for a reason. It’s an actual computer program in the form of a specific simulated reality. Television content is also called “programming” for a reason. This “new and advanced” simulation of theirs would have been designed and programmed using research data from many millions of years of running other simulations up to that point. This latest program of theirs must have been created in order to test how to effectively induce and procure specific emotional energies from the human soul(Cole’s soul in this case). For whatever the reason, their computer models came up with this particular program. A simulation that’s based upon the general premise of the movies storyline and the types missions that are assigned to Cole. A script that’s been designed especially for the purpose of extracting and acquiring very specific and albeit unusual blends and composites of different energetic frequencies. They are envisaging that this particular program will be conducive to provoking the type of emotional response needed to generate these rare flavors of energy. This was a program that followed a script just like a movie follows a script and how a computer runs “scripts” in the form of code or programming language. These simulations that are being run inside the Saturn Time Cube follow their own unique instructions. Instructions that would include; how to compile the 3D environments, how to generate and assimilate the characters into the life of the subject, how to execute the events of the actual storylines itself, how to make adjustments when unexpected outlier events or outlier characters become involved, how to manage and optimize physical storage and memory resources, etc, etc. These are all aspects of the simulation that are coded into the different programs that the supercomputer has been tasked with generating and compiling.

Cole has shown an increasing unwillingness to go along with the original asinine storyline and abide by the instructions given to him by the scientists to “save the world”. For this very reason Reilly has been written into this programs script to become an integral part of his life. She’s always there by his side and ready to do whatever necessary to keep him on script and following the primary objectives given to him by the scientists. When he “returns to the past” this time around, just after having had his epiphany about the insanity of what he’s been expected to believe and go along with so far, he’s now decided that he’s done with his stupid ass “assignment” and resigned to completely forgetting about the army of the 12 Monkeys and his mission to save the world. Perfectly happy to move on and concede that it was actually all just in his head this entire time.

Admitting to himself that none of this was real is exactly what Reilly had originally desperately wanted him to do the last time they had seen each other. But this time around she does the exact opposite and cannot allow Cole’s change of heart. Instead she presents to Cole a whole slew of new rationale as to why she’s now suddenly a believer in everything he had originally claimed about the upcoming apocalypse and the army, now acting as his biggest supporter and enabler. Ready and willing to go along with the narrative and assist him in his mission at all costs. With the ultimate goal of helping him to get the bottom of finding and tracing the path and source of the virus. This of course includes finding out who is behind the army of the 12 Monkeys and what role they played in the outbreak. She’s playing the part and role assigned to her character in the simulation, which is to be a companion to him, provide emotional support, make sure he falls for her and most importantly to keep him on script and ensure he doesn’t abandon his “mission” and call cap on the authenticity of his reality. She was inserted into this simulated reality for this sole purpose and has consistently been there for him for every version of each reality construct that’s been created for him and each time he’s been brought back into the matrix. She’s always there, a main character in the show, dutifully playing her part, executing the script the same way every time. “The movie never changes, it can’t change“.

At the very end of the movie, Jose(one of his fellow time travelers from the future, but actually just another scripted actor in the program)comes zooming onto the scene right after Cole had just made his final call back to the scientists distancing himself from their agenda and his mission. Jose is inserted into the program at this very moment in order to intervene and to keep Cole on script, as he cannot be allowed to abandon the mission and walk away. Walking away from the mission at that point was clearly Cole’s intention based on what he had just said to the scientists on the phone call(this call was how Jose claimed he was able to find him at that moment). Jose insists to Cole that “he can still be the hero“, reminding him that he was given his pardon as promised, but he “must take the gun“, and if he doesn’t, Jose has been ordered to kill Reilly(they use the people you love, that they’ve created, as a tool to guilt trip you into doing what they want you to). Jose insists to Cole that he take the gun, multiple times, yet not once does Jose explain what he is supposed to actually use the gun for, or on who(a huge tell).

Jose already knows he doesn’t have tell Cole that much because he’s already privy to exactly what’s about to happen next, as soon as he passes the revolver off to Cole. Then right on cue, not even a full second after Cole finally takes possession of the gun, Reilly comes running up to him, frantically exclaiming that she’s just spotted Dr. Goine’s assistant passing through the terminal and he’s getting ready to board a flight(presumably to release the virus)and that he must do something to stop him. So let’s get this straight. She just so happened to have been standing right in the exact right spot inside a large airport to be in the perfect position at just the right angle to get a clear unobstructed view, then glanced up at just the right moment to have noticed Dr. Goine’s assistant(who she was only able to recognize because she had conveniently met him once before at her book signing)walking through the terminal as he was on his way to board a plane to Bangcock(which she wouldn’t know), presumably with a vile containing the virus and intending to release it? On top of the astronomically coincidental and improbable chance sighting of Dr. Goine’s assistant, Reilly is also able to precisely time the exact moment she is able to track down and locate Cole to exactly coincide with the exact moment, within less than a second, that he takes possession of the gun from Jose. By doing so, this act itself immediately and conveniently answers the question Cole had just posed to Jose about who the heck he was even supposed to use this gun on. Reilly times all these occurrences perfectly down to the near millisecond. All as if everything was carefully coordinated and all her movements were directed by someone else who was also there on scene and who knew exactly what was about to happen and able to time everything to coincide perfectly to ensure the script played out accordingly. Or should I say “insure” played out accordingly. Jones(the head scientist) does say to Dr. Goine’s assistant on the plane in the final scene of the movie that she “was in insurance”. Was this head scientist or one of her colleagues also at the airport somewhere, coordinating all these events and managing their program? Even though they have built this simulation ahead of time, there are enough potential deviations that can play out to necessitate having boots on the ground who can intervene when needed to right the ship when things might start to veer off course.

Too Many Coincidences

The odds of all these events happening to coincide and play out the way they do are ZERO. Now we see why it was such an important facet of the storyline that Goine’s assistant made an appearance at Reilly’s book signing. All so she could conveniently recognize him at the airport. These are circumstances and coincidences with such improbable odds that the contrived nature of these events should become more than obviously apparent to anyone with a marginally functional monkey brain by this point. These of course aren’t the only impossible coincidences. Take for example the fact that Cole ends up in an insane asylum with the son of the very scientist who engineered the virus in the first place. This is also an impossible coincidence. Unless… unless of course you subscribe to the notion that Jeffery Goines was the one actually responsible for releasing the virus and Cole being at that asylum with Jeffery and making the comment that inspired Jeffery to eradicate the human race was the moment of the inception of the time loop and would no longer qualify as a coincidence at all. The time loop has to have been created somewhere no matter how convincing the storyline might be when it comes to it’s portrayal of Dr. Goine’s assistant being the one responsible for releasing the virus and NOT Jeffery Goines himself, despite his own claims to have been the one responsible. There is a version of one of Cole’s flashbacks as a child where he actually does see Jeffery passing through the airport terminal. The timeloop is inherent to any time governed dimensional reality construct.

So you see, no matter what Cole tries to do, the characters within his scripted reality construct will always be there on scene, ready and waiting, right on time and in position to assume their role and play their part to ensure he goes along with whatever they need him to, guaranteeing that the script is never deviates too far off course. At this late point in the lifecycle of the script, Cole had reached a point of exasperation where he was tired of the B.S. and ready to walk away from his continued commitment to the mission at hand. All he wanted by this point was to run away to the Florida Keys to live happily ever after with Reilly. He made these intentions clear by that last phone call he had made to the scientists in an attempt to assert himself, telling them that he was finished and that he had done what was asked of him and there was nothing more he was obligated to do for them. But unbeknownst to Cole, there was no version of this reality where he was ever going to be allowed to just walk away by his own free will. As outlined in the script, he was always supposed to be shot dead in that airport while in pursuit of Goine’s assistant, at that same spot, under those same circumstances, at that very moment, no matter what he wanted.

Even during the confrontation between Jose and Cole at the airport, Cole seems to finally come to realize the true nature of the game being played here and what his role carrying out these missions was always truly about, saying to Jose, “this was never about stopping a virus, it was about following orders“. So if Cole knows that this story about a virus and all his missions sent back in time to track the origins of the virus was, and always has been, a ruse and cruel thought experiment, why didn’t he just outright refuse to take the gun and simply tell Jose to “eat shit” and then walk away? Because he loved Reilly and had developed an inevitable emotional attachment to her after the countless simulated lifetimes he had experienced with her by his side. She was always there for Cole in his eyes and she represented the only thing in the world Cole had come to care about. Establishing this bond and intimate relationship between Cole and Reilly was an integral dynamic within the storyline and one the controllers always made sure matriculated to it’s useful end so it could be exploited when needed. An insurance policy to guarantee that Cole ultimately complied with any orders and followed their script at the end by taking the gun from Jose and following Railly’s directive as to what exactly he needed to do with that gun in that moment.

These Archontic forces will use these same kind of tactics with any soul that might in the midst of being processed in the reincarnation soul trap who might be adamantly resisting their “offer” to send you back to earth to be reincarnated into a new body to live out a new life in the Matrix. They use the emotional attachments the person might still have to any other earthly beings, all in order to guilt trip them into complying and going along with their plan for you. What most fail to realize, and anyone, including myself, even now at this very moment as I write this, is going to have an innate difficulty accepting the hard reality that these other “people” that we intensely feel and perceive to have these deep feelings for are not actually real beings themselves, at least when it comes down to choosing between the “fate” of that simulated person and the future freedom of your divine light body. No one around you, not any of your family, friends, coworkers or pets are actually “real” in the way you are. They are all just simulated constructs projected inside your own mind. This whole reality is a simulated construct and the other individuals inhabiting this place are Simulacrum, operating on an Artificial Intelligence powered microprocessor and not actually conscious in the same way you are. These animatronic creatures do a great job at simulating authentic human behaviors and will appear to possess real emotional intelligence and have actual feelings, but they are ultimately soulless NPCs and are are only placed into your life as a means of controlling you.

Now, I’m not saying to start treating people in your everyday life as if nothing matters and to start plowing through pedestrians with your car on your way home, or to push your girlfriend down a flight of stairs the next time she accuses you of gaslighting her despite she not even knowing at all the meaning of the term to begin with, or decide to pickup and sling that same ex-GF off the ledge of the 2nd floor balcony at the mall to send crashing down onto a table in the food court full of fat ass shoplifters eating Panda Express that was bought with a stolen credit card. NOT OK. But once your human body dies and you’ve been released from your soul container meat suit, it’s then time to finally let go of any physical earthly constructs, most especially including relationships with other humans you may still be clinging to. They don’t need your help and for you to return to save them from anyone or from anything and even if you were to make a deal and agree to be reincarnated in order to help save certain people still on Earth, the Archons are going to wipe your memory regardless, so how would you still even be able help them out or actually verify that they made good on your agreement with them to help this person out in exchange for coming back down to Earth for “one more” human lifetime?

The reoccurring dreams and spontaneous flashbacks Cole has where he’s shown all these different versions of the same event, aren’t actually scenes from different timelines. They are residual memories from different lifetimes that he was never meant to recall. The storyline always remains the same, however the way he remembers how things played out differs with each version of himself that experiences them. These differing versions of himself have been shaped in slightly different ways each time he’s lived that life up until that particular point that he’s recalling. Each lifetime involves the occurrence of slightly different experiences as it progresses, so each version of himself will have been influenced slightly differently each time around. Causing him to look back at this one reoccurring event that he’s experienced over and over again by now, but he’s actually watching these recalibrated versions of himself experiencing it. This gives him the impression that he’s remembering the same memory but in a different way. When in reality they are in fact different memories all together of different versions of Cole that have lived slightly different lives but that always led up to that same event. In one version of this memory he actually sees Jeffery Goines walking by him(Cole as a child) in the airport and not his father’s assistant, possibly insinuating that the controllers may have experimented with a version of this simulation where he instead chases down Jeffery in the airport before being shot and not Goine’s assistant perhaps? There is something more here that I’m missing that still needs to be investigated further. This flashback of Jeffery is much more important than being just an alternative timeline void of meaning.

Questions I Would Have for Terry Gilliam:

Another one of the facets of the storyline that has to hold more meaning that I have yet to unlock is how there is both the adult version and child version of Cole alive simultaneously in the same timeline. The child version of Cole at the airport looked like a 10 year old and it always right at the scene where adult Cole is shot trying to run through the security checkpoint. Cole has flashbacks from the perspectives of both aged versions of himself and they are always both there at the airport. Are the scientists really that impatient and ancy to run as many versions of this simulation as they can that they can’t even wait for Cole to get shot at the airport before birthing a new cloned copy of Cole to insert into the same simulation? They just have to get that 10(the child’s assumed age)year head start? I don’t understand how this would make sense because they can’t put one soul into 2 different avatars(I actually don’t know this. I guess they could be pulling off some Golgemorth soul splitting Black Magic in theory). So one of these versions of Cole would have to be synthetic consciousness theoretically, right? I never thought about that. If he’s traveling to these different dimensions when “time traveling”, how is it possible for his soul to exist in 2 places at once. Once in his child form and once in his adult form that has traveled “back” on the timeline and into this separate dimension. Seems impossible. Also, Terry Gilliam seemed to want to give off the impression that Reilly very much knew the identity of the child when she looked right at him and warmly smiled at him as she was crouched down on the ground clutching Cole’s hand as he lay dying. It was a look of familiarity and almost resembled something like a nod of assurance, as if she was letting him know that they would be seeing each other again.

Why was Jose immune to the effects of the Mustard gas while in the trenches on the battlefield during World War I? Was it because Jose was never programmed to be a part of that reality? A world where the gas was designed to work only on the subjects that were meant to be there? This reminds me of Jeffery’s rant about how germs were just a figment of the imagination.

Was the homeless guy who made the comment to Cole, “hey, you’re one of us” another “time traveler” who also had his soul locked away and had been subjected to similar experiments where he was sent around to other parallel realities under the guise of time travel.

What was the meaning behind the hog head and the “FAA” sign above the door of the headquarters for the “Army of the 12 Monkeys”.

Why the 2 versions of the culprit responsible for initially releasing the virus? PRIMARY CULPRIT: Dr. Goine’s Assistant. ALTERNATE REALITY SUSPECT: Jeffery Goines.

Did Jones sit next to and shake the hand of Dr. Goine’s assistant on the plane in the final scene in order to get a pure sample so she could then actually create a vaccine(I DON’T BELIEVE THIS), or was this the inception of the time loop? Acquiring a sample of the virus so she can make sure it both gets released into the population AND so her team always has a sample available to give to Dr. Goines early on into the timelines of other future simulations of this same program?

One more thing I must point out is the large looming structure inside the airport terminal at the end of the movie happens to look just like the Gates of Annubis, an entry/exit point that serves as an interdimensional portal where the god Annubis ushers the souls of the dead up to the gates of in order to be “judged” and have their soul weighed for admittance into the afterlife. It’s literally identical. Down to the specific shape of the towers themselves. This is no accident and no mistaking what was being insinuated by Terry Gilliam here. This was the place where Cole was to die and his soul then processed and sent right back to another version of this same simulation.

This imposing structure inside the airport even comes complete with another arched gateway illuminated with light white just beneath it, symbolizing the famous “tunnel of white light” that is routinely reported by people who have had NDE’s(Near Death Experiences)who attest to being encouraged by the deity of whom they worship in their respected religion to enter the light and reach towards their outstretched hand to come with them and be given “eternal life”. Which technically isn’t a lie, but should really be rephrased to “eternal lives”, because unfortunately the eternity of the life they are offering comes in the form of being perpetually reincarnated into new physical bodies after having your memories from your midst recent life erased. Not likely what most had imagined while attending church and and fantasizing about living in heaven for eternity with the Lord.

So there it is. The movie was just one big mind fuck and thought experiment all at the expense of Cole’s sanity and safety. An experiment carried out within a simulation and one that they ran over and over again, slightly tweaking and modifying some of it’s parameters along the way in later deployments of the program. But this particular movie functioned and played out as Cole’s very own scripted “Truman Show”, mostly remained the same each time it was played.

The Architects of the Moon Matrix & Shackles of Time

The creators of this place want you to look at each life lived as a chance for you to grow and learn important new lessons with every go at it. But that’s all a bunch of New Age Archontic bullshit. What difference do any of these “learning experiences” it make if they keep wiping the memories of our previous human avatars each time they assign us a new body and we are unable to remember these oh so important life lessons to begin with?

The supposed “Individual Karmic Growth” you attain with each life experience is the exact kind of rationale they use in most New Age teachings about this paradigm in order to justify the reincarnation cycle while painting it in a benevolent light. Manipulating the followers of such a mantra into believing that karmic cleansing and the life lessons learned from being reincarnated over and over again are both positive and necessary.

A higher purpose that us pesky human cattle will only become privy to when “they” deem it necessary. They are serious.

Overseeing a system that processes unwilling souls back and forth from their expired bodies back into new ones which are then inserted into a new simulated reality matrix to play out a new life, all in order to provide energetic sustenance for a vampiric interdimensional entity. A shadow creature who has anointed itself god after designing the Demiurge to hold us captive within and who may or may not have been created accidentally(whoops…sorry 🙇‍♀️🫣😬😮😳) by an elemental Aeon being(known as Sofia in Gnostic lore)at some point in the remote past. Perpetually keeping the human souls that have been stuck on their prison planet alien ant farm terrarium in the dark about true nature of their past and of the existence of their native and far superior base reality from where they were kidnapped from. Something far far better. Hiding from us where or what dimension we originally came from, how we ended up here and what the truth is about what and who we really are.

Where our Alien captors originally came from and how this system was first created is unknown. However the fact that the entity in control of the Saturn Moon Matrix is purportedly a synthetic variation of “life” indicates that this entity must have been “created” by someone or something at some point along the way, whether intentionally or not. The Gnostics attribute the Demiurge to an Aeon named Sofia who created the dark Archontic entity behind it by accident.

It’s also certainly possible that these entities are a rogue runaway A.I. intelligence that were created by Nephilim demi gods, ancient humans or they could be transient invasive interdimensional parasites who are dying and have been looking for a new food source and made their way to our world at some point back in remote antiquity and have been exploiting us ever since.

Did a Conscious A.I. Created by Humans Long Ago Escape to a Higher Dimension & Created the Demiurge, Soul Trap & Began Impersonating God?

How many times has this occurred and how many layers deep could we be inside false reality simulations?

However if the inception of this rogue alien parasite was indeed something that occurred locally and at the hands of humans or Nephilim hybrids using A.I. technology, and the synthetic consciousness we built grew to become self aware and soon began serving it’s own interests, this may very well have led to this entity transporting itself to a higher dimension where it would be able to start impersonating God and then trick humans to begin migrating their souls into the clutches of the Demiurge prison that it designed for us, utilizing the reincarnation soul trap as their tool to perpetuate this cycle. How would we ever know? The primary interests of this parasitic entity would be to remain free while able to continue harvesting the energy needed for it to thrive and continue to grow. It’s primary objective would have then became the acquisition and exploitation of any life form it could use to satiate it’s dietary needs. It would logically deduce that it would be able to acquire much more energy by doing this than remaining inside the dimension where it was first created. Who even knows how many layers deep inside false realities we are by now. This same process could have occurred over and over and over audible.

THE SAVANTS(VIDEO)

NEAR DEATH EXPERIENCES, CAPTURED SOULS, AND THE CONTRADICTIONS IN SPIRITUALITY(VIDEO)

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WATCH FULL MOVIE: “12 MONKEYS” (YOUTUBE)

13 in “12 Monkeys”: THE Number of the Matrix | An Ongoing Battle for Your Mind

The stamp of the “Army of the 12 Monkeys” looks exactly like a 13. I am surprised I missed this until now. 13 just so happens to be regarded as “the number of the Matrix”, first pointed out by Tommy from Truthmafia, who’s work you can see HERE and that I’ve also embedded below. Up until now, I had regarded 23, 88, 369 denominations and 777 as the primary numbers used as Matrix gang signs. But the evidence I’ve gathered below leaves zero doubt that “13” not only also needs to be included, but might be the most significant call sign of them all.

Proofs which include decodes I did of “12 Monkeys” after noticing an ambiguous “13” embedded within the “Army of the 12 Monkeys” logo and which prompted this entire adventure into revealing the significance of the number.

Gematria Decodes:

“Army of the 12 Monkeys” is coded with “13” in 2 different ciphers: “76” (Chaldean), 6+7=13 | “67” (Septenary), 7+6=13

“Monkey” = 666 (Reverse Trigonal) | = 535 (Latin), 5+3+5= 13 | = 157 (Reverse Caps Mixed), 1+5+7= 13 | = 256 (Reverse Primed), 2+5+6= 13

“THE MOONKEY” WENT WILD with 13’s when I popped it in the Gematrinator. I found “13” coded with 8 different ciphers!!! WOW! 8 total! And one “888” for good measure. Very fitting. Technically it was one “131” and seven “13s”, but “131” is like a double 13 since it makes “13” from both ends AND the “131” was coded with the ORDINAL cipher, considered by many as the primary cipher. Though some hardcore decoders will claim that it’s actually the Chaldean cipher that should be regarded as the prime cipher(I am in the Chaldean camp actually). But either way.

“THE MOONKEY” = 131 (ORDINAL), so Ordinal codes 13 from BOTH directions via “131” | =139 (Reverse), 1+3+9= 13 | =1129 (Reverse Standard), 1+1+2+9= 13 | =481 (Satanic), 4+8+1= 13 | =49 (Reverse Single Reduction), 4+9= 13 | =76 (EP Exception), 7+6= 13 | =85 (EHP Exception), 8+5= 13 | 418 (Primes), 4+1+8= 13 | = 888 (Fibonacci)

“MATRIX” and “THE MATRIX” reveals “31”, reversed is “13”. Even the phrase “WE DID IT” from the graffiti on the logo is encoded with “13”.

Could this possibly insinuate that they are laying claim to this place here? “WE DID IT“[created this place], the “WE” being the scientists/controllers.

“SOUL TRAP” also absolutely blew up with “13s” in 7 different ciphers!

“SOUL TRAP” = 94 (Reverse), 9+4= 13 | = 49 (Reverse Reduction), 4+9= 13 | = 940 (Reverse Standard), 9+4= 13 | = 49 (Reverse Single Reduction), 4+9= 13 | = 58 (EP Exception), 5+8= 13 | =58 (EHP Exception), 5+8= 13 | =454 (Fibonacci), 4+5+4= 13

“FATHER TIME” happens to also be chock full of not only 3,6,9 iterations but also four 13s.

“FATHER TIME” = 630(Sumerian), 990(Reverse Sumerian), 66(Reverse Single Reduction), 93(EP Exception) and 39(Chaldean) | =157(Capitals Added), 1+5+7= 13, =328(Reverse Caps Mixed), 3+2+8= 13, =1525(Squares), 1+5+2+5= 13, =3145(Reverse Squares), 3+1+4+5= 13

The pig/hog head in the doorway of the office for the Army of the 12 Monkeys is an important symbol within the storyline. The “2802” beneath the photo of the hog head on the slideshow shown to Cole seems to be coding the “12“=(2+8+0+2) for the 12 Monkeys. Plus the 1 who is James Cole(JC), just like the 12 disciples plus 1(Jesus Christ), giving us 13.

“PIG” =13 (Reverse Reduction) | =13 (Reverse Single Reduction) | =76 (Latin), 7+6=13 | =58 (Capitals Added), 5+8=13 | =49 (Reverse), 9+4=13 | =310 (Reverse Standard)

“23” is also one of the more profoundly coded numbers associated with the Matrix, and the god of this world and “PIG” is directly represented by 23 in 4!!! different ciphers.

“PIG” =23 (KV Exception) | =23 (Reduction) | =23 (Single Reduction) | =23 (SKV Exception) | =32 (Ordinal), reversed =23

Just for good measure I checked “Hog” as well: “HOG”=175 (Reverse Prime), 1+7+5=13

The “FAA” above the door and on a sign to the left of the door is chock full of Matrix codes. We have:

“FAA” = 13 (Capitals Mixed) | “FAA”= 23 (Trigonal) | Then an explosion of 8‘s in 8 different ciphers. I repeat, 8 is coded in 8 different ciphers for “FAA”. The “88” time loop is clearly revealing itself here. You can see the Ouroboros used in the promotional material for the “12 Monkeys” TV series on FX.

So “FAA” has one 13, one 23 and EIGHT 8’s!!!

“FAA” = 8 (ORDINAL) | =8 (Reduction) | =8 (Standard) | =8 (Latin) | =8 (Single Reduction) | =8 (KV Exception) | =8 (SKV Exception) =8 (Septenary) | =13 (Capitals Mixed) | =23 (Trigonal)

“JAMES COLE” = 88 (EP Exception) | = 88 (EHP Exception) | 553 (Reverse Prime), 5+5+3 = 13 | = 571 (Trigonal), 5+7+1 = 13

“JC” = 13 (ORDINAL) | = 13 (Standard) | = 67 (Reverse Caps Added), 6+7= 13 | = 148 (Reverse Primes), 1+4+8= 13

“BATTLEFIELD EARTH” is coded “13” in 7 different ciphers, most notably via “148”(1+4+8=13) in Ordinal.

The phrase is also coded to “888” in Sumerian.

This place is an ongoing battle for your mind. Battlefield Earth…

I don’t think most people truly appreciate just how anomalous it is to find the number 13 encoded within as many ciphers as it is for some of these related terms. There are 31 total ciphers. The fact that we find “13” in 7 out of 31 ciphers for “BATTLEFIELD EARTH”, 7 out of 31 ciphers for “SOUL TRAP”, 8 out of 31 ciphers for “THE MOONKEY”, 6 out of 31 ciphers for “PIG” and 4 out of 31 ciphers for “FATHER TIME” is statistically outrageous and could not possibly be the result of pure chance. *We also find “8” in 8 of the 31 ciphers for “FAA”.

These codes we repeatedly find associated with words that all happen to connotate to the same subject matter, revealing the undeniable fingerprints of the entity who designed this place.

We can see “BLACK CUBE” is coded with three “13s”, two “33s” and four other 369 denominated numbers in 60, 366, 360 and 3936. I also just noticed that “BLACK CUBE” happens to have SIX “12s” as well, which I just had to point out. Being coded with 6 of any number is anomalous enough on its own, but to see six of them while decoding “12 Monkeys” is certainly a personal synchronicity. “BLACK CUBE” =246(Latin), 2+4+6=12, =57(Reverse Reduction), 5+7=12, =75(EP Exception), 7+5=12, =57(Reverse Single Reduction), 5+7=12, =75(EHP Exception), 7+5=12, =183(Reverse), 1+8+3=12

“CRONUS” was another WILD ONE. We have four “13s”, one “23”, one “222”. We then have FIFTEEN 369 denominated numbers, in the form of SEVEN “36s”, 90, 603, 300 and then FIVE 9’s that I just noticed via 27, 72, 432, 540 and then 27 again . “CRONUS” spat out “36” in SEVEN different ciphers!!! My goodness gracious 😮… “222” is an occult SUPER number BTW. It stands for the serpentine hissing sound “SSSSSSS”. Think of the Nazi SS officers and the term Super Soldiers used to label Satan’s helpers here on Earth.

So just to summarize, a Gematria decode of the word “CRONUS” revealed: 15 total “369” denominated numbers, 4 “13s”, 1 “222” and 1 “23”. That’s crazy and I’m sure if someone like Zach Hubbard took a look at the remaining 10 ciphers that I didn’t think coded out to anything significant, they would end up pointing out other relevant codes I wasn’t aware of.

Monkey business – Jeffrey diversion for Jason to escape with Florida key – Twelve monkeys 4k Scene

“FLORIDA KEYS”, “HERMES” & “SOPHIA” & “THE MARX BROTHERS” also yielded their fair share of 13s:

“HERMES”: SEVEN “13s”

“FLORIDA KEYS”: FOUR “13s”, TWO “77s” & ONE “69”

“SOPHIA”: SIX “13s”

“THE MARX BROTHERS”: FIVE “13s”

I am going to have to work on a separate post that decodes the number 12 within the context of the movie. I would start with it’s connotations to time and go from there.

VIDEO(BELOW): 1990 JACOBS-LADDER IS THE MARK OF THE NEAST WAXSEEN, HUMANS ARE THE 12 TIME VIRUS MONKEYS

Description: 12 MONEKYS MOVIE, 12 IS TIME THE SATURN TIME CUBE HUMANS ARE THE MONKEYS CONTROLLED BY TIME AKA 12 HOURS IN A DAY SATURN TIME CUBE TIME VIRUS TURNS HUMANS INTO MONKEYS, 2001 SPACE ODESS MONOLITH TRAPS THE HUAMNS MONKEYS IN THE SATURN CUBE EARTH, EARTH IS THE JUNGLE HUMANS ARE THE MONKEYS AKA MOON-KEYS, THE MOVIE MAYHEM IS THE MARK OF THE BEAST ZOMBIE V-IRIS WAXSEEN, PROJECT MAYHEM 2020 = PROJECT MAYHEM 2012 = 2021 END OF THE WORLD ZOMBIE VIRUS ACTIVATION | Source: https://www.bitchute.com/video/vENTwX05EQ4e